Enjoy Japanese traditional painting during my next work shops :
Learn nihonga with Valérie Eguchi
With Nihonga, I suggest discovering the feel of the material, and the play of the shines and matte effects due to the brightness of the crystals in the pigments, metallic sheets and oxidations.
In Japanese painting all the materials are prepared by the artist.
Once a basic sketch is completed, individual pigments are mixed with some water and Nikawa on a small dish.
Nihonga gives us a sense of inner peace and brings us outside of our day-to-day urgencies.
We are able to do this because of the time taken to prepare for each painting. It is also a time of necessary reflection for every element entering the composition of the picture.
These initiations into Nihonga take place under the guidance of the instructor through workshops, or regular courses in Paris, and in Issy les Moulineaux (sud Paris )
The workshops take place in a quiet environment, in which each participant receives equal attention and is able to share the knowledge imparted by the instructor.
Weekend 2 days:
With Nihonga today, artists compete using elements of craft and creativity to create new effects.
Shinji Matsumura, a japanese painter, Shu-Chen a Taïwanese painter, used those effects for some of their creations..
Discover the effects of silk cotton applied to metal leaf
We use some silk cotton which we stretch on a chassis, to create a natural cotton lace.
This lace is solidified with the kakeshi boeshi (juice of fermented khaki otherwise known as persimmon).
The lace then serves as a stencil through which we shall fix pigments, metallic powders or metallic sheets.
Models are then proposed to realize a small picture
Places are limited to 5 persons
Shu-Chen present this technic in a video
For more information, please contact: 0609390742
June 11-14 and October 1-4, 2015. For more information, please click here.
I wish you a happy sheep year!!
2015 is the Year of the Green Wooden Sheep. (Hitsujidoshi – 未年)
Here are the new dates for nihonga workshops at the gates of Paris
I was first introduced to Hu Mingzhe’s work through a young student of hers who first introduced me to traditional heavy rock color painting- aka Nihonga in Chicago in 2001. At that time, her work depicted the human figure (you can see these in the video as well). Hu Mingzhe’s newer works in the Mote exhibition, which opened in May 2011 at the National Art Museum of China, Beijing, focus on the relationship between human beings and the universe, feeling the greatness of nature and the insignificance of human beings. The word mote stems from Buddhism, which means that the constituent part of everything in the universe is made of tiny particles, and its immensity is beyond limitation, as is its smallness.
Hu Mingzhe is a professor at the Central Academy of Fine Arts (Beijing) and a former visiting scholar at Tama University and Tokyo University of Fine Arts, Japan.